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Peter Doig

Hot Art: Immersive Experiences at MOCCA

An image from Tasman Richardon's haunting Necropolis (photo by Alex Grigorescu)

FEBRUARY 4 TO APRIL 1 The Museum of Contemporary Canadian Art kicks off its 2012 season this weekend with a trio of engrossing installations.

Three years in the making, Tasman Richardson‘s Necropolis is an immersive multimedia project that addresses the modern world’s loss of emotional engagement through six audio-visual installations set within a darkened, winding superstructure. Curated by Rhonda Corvese, each installation segment offers scenes from films re-contextualized into themes of narcissism, idolatry and oblivion, and their mounting sense of dread transforms the exhibition into a visceral experience. Richardson conceived the display as a response to what he terms “death culture,” or video and culture as a “false intimacy where moments are becoming emotionally oversimplified.” The use of odd frame rates and interlacing further emphasize real experience over than consumption of life through a screen. “Everything that can be recorded,” says Richardson, “is a kind of pseudo-death.” (more…)