LOCATIONS SET TO OPEN AT CF TORONTO EATON CENTRE AND YORKDALE SHOPPNG CENTRE THIS FALL
Stock up on all the essentials when Uniqlo opens this fall.
Uniqlo is poised to satisfy a desire for minimalist imports from Japan with the opening of its first Canadian boutique. Established in 1984, the much-loved Japanese brand boasts more than 1,700 stores worldwide, including Hong Kong, Germany, France, Australia, Russia, and the U.K. The apparel company is best known for its functional yet affordable and well-made basics for men, women, and children. A multi-coloured palette makes mixing and matching effortless amongst a selection of athleisure, work, sport and lounging separates, including its signature cashmere sweaters and ultra light down jackets and vests. —Linda Luong Luck
The Art Gallery of Ontario features works by Michael Snow and many, many other artists
Become a part of Toronto’s hot art and culture scene by exploring these public art galleries, which are home to timeless masterpieces, contemporary creations, travelling exhibitions and everything in between. (more…)
An image from Tasman Richardon's haunting Necropolis (photo by Alex Grigorescu)
FEBRUARY 4 TO APRIL 1 The Museum of Contemporary Canadian Art kicks off its 2012 season this weekend with a trio of engrossing installations.
Three years in the making, Tasman Richardson‘s Necropolis is an immersive multimedia project that addresses the modern world’s loss of emotional engagement through six audio-visual installations set within a darkened, winding superstructure. Curated by Rhonda Corvese, each installation segment offers scenes from films re-contextualized into themes of narcissism, idolatry and oblivion, and their mounting sense of dread transforms the exhibition into a visceral experience. Richardson conceived the display as a response to what he terms “death culture,” or video and culture as a “false intimacy where moments are becoming emotionally oversimplified.” The use of odd frame rates and interlacing further emphasize real experience over than consumption of life through a screen. “Everything that can be recorded,” says Richardson, “is a kind of pseudo-death.” (more…)