By Janice Tober
Winnipeg has long been known for its rich cultural scene, generating artists who dazzle the world with creativity in both the visual and performing arts. It is our theatre scene, however, that wins Winnipeg the cultural crown.
In a city home to the country’s oldest English regional theatre, as well as Canada’s longest-running French company, theatre is ingrained in the hearts of Winnipeggers who grow up experiencing thought-provoking plays produced by these venerated institutions. It is these early companies that have emboldened aspiring artists to create theatre groups of their own, in all shapes and sizes. WHERE Winnipeg offers a sneak peek of the plays that promise to be the most talked-about dramas, inspiring stories and laugh-out-loud comedies of the 2016/17 season.
Royalty Lives Here
Winnipeggers often look to the city’s most prominent stage, the Royal Manitoba Theatre Centre, to keep them entertained. It is the only theatre in Canada to receive royal designation, and is housed in a stunning Brutalist-style building in the Exchange District that commands respect. With a 58-year history, the company has a record of producing plays that hit the mark with audiences.
Steven Schipper, the company’s Artistic Director, states, “planning seasons is the only thing that I don’t delegate,” as he works to find plays that appeal to Winnipeg’s sophisticated artistic palate.
RMTC’s season opener, The Curious Incident of the Dog in the Night-Time (adapted by Simon Stephens), is a co-production with Edmonton’s Citadel Theatre. This Tony Award-winner, based on Mark Haddon’s bestseller of the same name, begins when fifteen-year-old Christopher is accused of killing his neighbour’s dog. The story follows Christopher, diagnosed with autism, as he works to clear his name and solve the mystery on his own. A strong and stimulating choice, this coming-of-age tale exposes Christopher’s vulnerabilities as well as his strengths with insight and humour. The show runs from Oct 20 to Nov 12.
Just down the street from RMTC is its second stage, the Tom Hendry Warehouse. With its own full season curated by Schipper, the Warehouse focuses on works that are more provocative and controversial than those seen on the mainstage.
The season begins with another play based on a novel: My Name is Asher Lev, by Chaim Potok. Running Oct 13-29, Aaron Posner’s stage adaptation is a thoughtful meditation on how an artist and his or her work can be driven by a compulsion that threatens both family and tenets once held dear. This co-production with Montreal’s Segal Centre is well-suited to the Warehouse’s smaller space where theatregoers are close to the drama unfolding in front of them. “It’s a perfect play for our intimate Hendry Theatre,” says Schipper. “Audiences embrace work that touches, challenges, and entertains, while asking important questions about how we may best live our lives.”
Winnipeg’s multicultural makeup is mirrored in the city’s arts groups. In St Boniface, signs and snippets of conversation en français are reminders that French voyageurs settled here, and it is Théâtre Cercle Molière—the oldest French theatre in Canada—that best reflects this distinct Francophone community.
Geneviève Pelletier, Cercle Molière’s Artistic and General Director, chose to open the season with Et que ça saute!, an original piece by Winnipeg playwright, Danielle Séguin-Tétreault. Pelletier says she wanted to “kick off the season with a real side splitter,” and, with a title that translates to mean, “And make it snappy!” expect fast-paced dialogue and quick comedic timing. Centred around five people in an apartment building who are all searching for something in their lives, the play takes the audience through what Pelletier calls “the twists and turns of a day gone wrong.” The play opens on Oct 13 and runs until Oct 29 with simultaneous translation on certain dates.
In the late 19th- and early-20th centuries Winnipeg welcomed many Jewish immigrants and settlers to the city, many of whom helped create its arts institutions. The Winnipeg Jewish Theatre had its inaugural season in 1987 and has a history of showcasing original plays by some of Canada’s top playwrights—such as work by Winnipeg-born Vern Thiessen, recipient of the Governor General’s award for his moving drama, Einstein’s Gift—that highlight and lay bare the Jewish experience with emotion, comedy and accrued insight.
Running from Oct 27-Nov 6, the 2016 season opener is the Canadian premiere of Another Way Home by Anna Ziegler. Set in the summer during visiting day at Camp Kickapoo, on the surface Another Way Home is simply a witty story that catches parents in the midst of escalating conflict with their son, Joey. But amidst the barbs, the play examines what it means to be a family desperately trying to deal with a troubled son.
Bring the Kids
Manitoba Theatre for Young People evolved from Actor’s Showcase, an amateur theatre group that offered training for local talent, and grew with a new mandate to become one of the most respected stages in Canada for its creative, built-from-scratch productions and innovative children’s programming. Since its beginnings in 1982, the company has never rested on its laurels, winning its first award in 1992—the Canadian Institute of the Arts for Young Audiences Award—before earning a Dora Mavor Moore Award for Outstanding Production in the Theatre for Young Audiences category in 2007.
The 2016 season opens with Alligator Pie (running Oct 26-Nov 6), an original Dora Award-winning production by Toronto’s Soulpepper company. “The whole play is built around the beloved poems of Dennis Lee,” comments Pablo Felices-Luna, the company’s new Artistic Director, “so all of our fun is made possible through the work of an outstanding Canadian poet. And that’s how we wanted to launch, [with] all of the wildness you can experience at our theatre.” The play is full of infectious musical numbers and theatrical zaniness, but underlying the high-energy production is a message about the importance of friendship.
Since opening its doors in a ramshackle building in the Exchange District, Prairie Theatre Exchange has always been a small company rooted in the community. The theatre offered its rehearsal space to amateur groups and allowed them to perform on its stage between its own shows. Today, PTE is found in a downtown shopping centre, and it still belongs to Winnipeggers: in 2007 it opened its Playwrights Unit, where experienced and new local playwrights are provided with an office, the resources needed to put on a live reading or workshop, and input from fellow auteurs.
PTE continues its focus on work by Manitoban and Canadian artists with the play The Gravitational Pull of Bernice Trimble, penned by Canadian playwright, Beth Graham. Running from Oct 12-30, the play centres on Bernice’s daughter, Iris, as her Mom calls the family together to announce that she has been diagnosed with early-onset Alzheimer’s. The emotionally heavy story can be challenging for audiences, but when asked about this selection for the 2016/17 season, Artistic Director Robert Metcalfe explains, “This play was nominated for a Governor General’s Award in 2015, and I love it because of its fundamental honesty and heart in addressing some very serious subject matter—including the unique relationship between mothers and daughters—and the choices we make, both in parenting and in life.” Metcalfe has no need to shy away from difficult work, knowing that the city’s erudite audience is up for the challenge.
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